The Art of Arrow Cutting A Novel of MagicNoir Suspense Stephen Dedman 9780312868321 Books
Download As PDF : The Art of Arrow Cutting A Novel of MagicNoir Suspense Stephen Dedman 9780312868321 Books
The Art of Arrow Cutting A Novel of MagicNoir Suspense Stephen Dedman 9780312868321 Books
The story had so much potential. But early on it became rather ridiculous. I forced myself into reading on like a good trooper hoping the storyline at least would read like it was written by someone who had a mentality above that of a 15 year old druggie. It didn't. I could not even get halfway through the book before I had to close it and shake my head in disgust. Japanese mysticism is interesting and certainly could have been presented in a more mature way in this particular novel. Such as it was though, reading this book was like being in a bumper car wreck every few pages. Disconcerting and disappointing. Read it at your own risk.Tags : The Art of Arrow Cutting : A Novel of Magic-Noir Suspense [Stephen Dedman] on Amazon.com. *FREE* shipping on qualifying offers. <div>If he'd known all the trouble following her, itinerant photographer Michelangelo Mage Magistrale would have thought twice about helping the beautiful,Stephen Dedman,The Art of Arrow Cutting : A Novel of Magic-Noir Suspense,Tor Books,0312868324,Science fiction.,ENGLISH FIRST NOVELISTS,ENGLISH SCIENCE FICTION AND FANTASY,FICTION Fantasy General,Fantasy,Fantasy - General,Fiction,Fiction - Fantasy,Fiction Fantasy Contemporary,Fiction-Fantasy,GENERAL,General Adult,Oceania,Science fiction
The Art of Arrow Cutting A Novel of MagicNoir Suspense Stephen Dedman 9780312868321 Books Reviews
"The Art of Arrow Cutting" by Stephen Dedman, © 1997
This story has a Japanese flavor. It begins with tattoos coming to life, and all of a sudden you realize that all is not normal. This is a book of magic, wonders of life that ordinary people never see. It is a very interesting story. Mage (appropriate name, given the tone is magical) finds himself visiting with a pretty girl at a bus station. She gives him her apartment key, so he can turn it in for her. She is leaving and not coming back. And the adventure begins.
Mage meets a fellow at the hostel he stays at in Calgary, who knows from his youth in Japan, more about what is going on. This is a very good story of cross-cultural experience.
Mage is a drifter with a kind heart and lots of talent. And unbeknownst to him, he's about to be drawn into a world of magic and gods and bad guys and damsels, both in distress not not.
This was a great story! It starts out a little weird and you can't pay too much attention to little details but it's really good. Pretty sure it's a stand-alone, as the author wrapped it up pretty well. I'm not going to go too much into detail because I'm pretty sure it would ruin some of the fun little plot twists.
Mage (Michelangelo Magistrale) is a photographer by trade and a rootless drifter by nature. When he runs into Amanda Sharmon at a Greyhound bus station in the backwoods of Canada he doesn't realise that by helping a stranger in need he is about to change his own life - and get an introduction to the strange world of Japanese mythology.
I wouldn't call this a mystery novel, though it does have elements of that. Its more like a modern urban fantasy. Its easy to read and the main characters are likeable, though you can get mixed up at times with all the unusual Japanese names which keep on cropping up.
If you like light fantasy and Japanese mythology then this is a book worth reading and I'm happy to read the sequel SHADOWS BITE and see if it is as enjoyable and light as the first book.
This tale begins at a Greyhound station in the small Canadian town of Totem Rock. Waiting for a friend, Michelangelo "Mage" Magistrale, photographer by profession and drifter by nature, is approached by a beautiful woman. Introducing herself as Amanda Sharmon, she abruptly asks him for twenty-seven dollars to buy a ticket to Calgary. Mage, sympathetic to her plight, lends her the money. In return, she gives him the key to her apartment, which hangs on a lanyard of braided human hair. He accepts her offer to use her flat while she is gone and pockets the key.
While running errands the next day, Mage realizes he is near Amanda's apartment and decides to drop in. Leaving, he is accosted by an armed man who questions him as to Amanda's whereabouts. Not getting the answers he wants, the hood pulls his gun on Mage only to have it misfire. Mage brains the thug with his camera case, and flees. Seeking to warn Amanda of the danger, Mage hops the next bus for Calgary.
Mage doesn't know it, but he is embarking on a grand adventure. Amanda has stolen a talisman from powerful businessman/gangster/sorcerer Tamenaga Tetsuo, who will use any means to get it back. Failing with human agents, he sends various bakemono, or goblins, to retrieve it. Mage, now in possession of the talisman, battles these demons with the help of new ally Charlie Takumo, Hollywood stuntman and expert in Japanese mythology. Together, they ward off monsters, ninja, hitmen and the police in their search to understand the power of the talisman.
The Art of Arrow Cutting is slick and flashy. Its bare bones plot brings to mind a typical Hitchcock movie, in that a hero, stuck with a MacGuffin (here, the talisman), spends the rest of the book evading a variety of low level bad guys before squaring off against his real adversary. As in Hitchcock's thrillers, the MacGuffin exists to get the story going. Dedman is not big on character development either--his protagonists are as shallow as the plot. Mage and Takumo are typical action heroes, long on style but lacking in depth.
This dearth of plot and character development is not fatal, however--the novel survives on sheer momentum. Dedman's writing demands your attention, as the story careens from one action scene to the next. Though superficial, Mage and Takumo are colorful, charming and witty. Their supernatural adversaries are equally colorful. Dedman taps Japanese mythology to present us with mujinas (false faced demons) and the rukoro-kubi, or spinning head goblin. The latter, a carnivorous monster with disembodied head and hands, is the impetus behind one of the scarier scenes in the book.
Similar in content, tone and spirit to J. S. Russell's Celestial Dogs, The Art of Arrow Cutting is a winning blend of crime and fantasy novel. Essentially an action movie in print, it should translate into one hell of a flick if the special effects crew is up to the task. Overlook its flaws, suspend your disbelief, and sit back and enjoy the ride.
The story starts slowly with our hero wandering from town to town. When he befriends a "lost" lady, things get interesting.
I won't repeat the story line - you can read it in the summations. What I particularly liked was the unexpected characters and their capabilities, including the hero. Basically it's a primer on Japanese mythology - at least that's what the author wants you to believe. Since I know nothing about this subject I accept it as a basis for a fun book read. All of the characters are interesting, including the bad guys. The author ends the tale with hints, or at least the basis, for follow-on sequels.
I really liked it, mostly because it contains many ideas I've never considered.
Cool Japanese mythology. Interesting read.
This book is just plain fun to read. The author weaves modern America with Japanese mythological monsters, and creates a story line and characters that are fun. The magic in the story follows a coherent internal logic, and the characters bleed and suffer and have realistic personalities and reactions. The book leaves you hoping for more adventures using these characters.
The story had so much potential. But early on it became rather ridiculous. I forced myself into reading on like a good trooper hoping the storyline at least would read like it was written by someone who had a mentality above that of a 15 year old druggie. It didn't. I could not even get halfway through the book before I had to close it and shake my head in disgust. Japanese mysticism is interesting and certainly could have been presented in a more mature way in this particular novel. Such as it was though, reading this book was like being in a bumper car wreck every few pages. Disconcerting and disappointing. Read it at your own risk.
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